Arts & Culture
screenshot from Field of Dreams
The promise of Field of Dreams is that when we give ourselves to serving the common good at the place where our “deep gladness and the world’s hunger meet,” as Frederick Buechner writes, we don’t just help advance the healing of the people we touch, we also begin to heal our pain.
Photo by Brandon Mowinkel on Unsplash
My high school alma mater is not an anti-Semitic or Islamophobic school, as far as I know. But its mascot is.
So when we seek direction, remind us what is true:
the Advocate is with us to help us follow you.
Christ, guided by the Spirit, may we your people be
A loving, faithful witness in this community.
Charlize Theron and Seth Rogen in The Long Shot. Photo via Long Shot Movie on Facebook.
There are moments in Long Shot, the new comedy in which Charlize Theron and Seth Rogen fall for each other, save the country from dehumanizing polarization, and (maybe) the planet from dehumanized humans, in which I wondered if I was watching something as good as Tootsie. It’s really easy to make a slapstick joke, but really hard to integrate dozens of them into a coherent work (there’s a reason the Marx Brothers don’t have many heirs); and it’s even harder to weave comic tropes into a story that also manages to feel like real life.
Tim Bowman Jr. and Teddy R. Reeves speak during the #gODTalk session at Something in the Water. Photo by Nalan Smartt, courtesy Smithsonian National Museum of African American History and Culture.
For nearly a decade, pollsters have been reporting the trend of disaffiliation with the church, particularly among millennials. This shift is playing out in the black church, though the rates of disaffiliation and eschewing overall spirituality are less pronounced. Black millennials are more likely to pray and believe that a higher power exists than other races, but a steady percentage of black millennials are still disengaging — and they are not returning to the church as they age. Instead, they are finding new ways and places where they can be free to stand in their identity.
Screengrab from ‘I don’t want to be in my body no more: a visual poem’
Writing poetry has helped me face all the fear and uncertainty that surrounds a lifelong diagnosis.
Still from "Tolkien" film trailer
Dome Karukoski’s Tolkien, out in theaters this Friday, focuses on another story of friendship, that of the Tea Club and Barrovian Society (TCBS) which Tolkien was a part of during his education at King Edward’s School in Birmingham. The film tells the story of Tolkien’s early life as an orphan living in poverty and at the mercy of his benefactors, and the love and friendship he finds in spite of it. Tolkien is gorgeously shot and filmed with warmth, humor, and friendship.
Lucien Greaves delivering a speech in front of the state capitol building in Little Rock, Ark., in Hail, Satan?, a Magnolia Pictures release. Photo courtesy of Magnolia Pictures.
It turns out that The Church of Satan as founded by Anton LaVey was more of a hedonistic club than something to fear, and today’s The Satanic Temple (TST) an entirely distinct organization — an emerging religious community whose tenets are dedicated to compassion, making amends for mistakes, and promoting religious liberty.
Father Theodore Hesburgh
The new documentary Hesburgh, which premieres nationwide on Friday, May 3, and is directed by the Emmy-nominated filmmaker Patrick Creadon (Wordplay, I.O.U.S.A.) gives us a thorough look at Father Hesburgh’s walk. From Hesburgh’s origins to his decision to devote his life to the priesthood, to his appointment — at the young age of 35 — as president of the University of Notre Dame, to all the personal, national, and global adversities that the man of the cloth later faced afterward, Hesburgh weaves a beautiful and engaging story of faith lived out.
Screenshot: CW
As the U.S. Catholic Church discerns how to move forward amidst scandals, the CW’s Jane the Virgin provides a glimpse of what might be in store.
Image via Avengers on Facebook
The first line of Avengers: Endgame is “Do you know where you’re going?” And the story that follows, the final chapter of a saga 11 years in the making, is an attempt by the deeply flawed, deeply human protagonists at wrestling with that question — what is our path, do we know it, and can we change it?
Image via Avengers on Facebook
It’s rare for large-scale action movies to attempt to meaningfully show the aftermath of destruction; the human realities of both one individual family, and entire nations are conveyed in those opening minutes. It feels … truthful? Alas, after that, Avengers: Endgame spends almost three hours pivoting between giving the truth and avoiding it.
Image via Wikimedia Commons
Many white Americans want racial reconciliation to be like Borges’s legend. Like my relative’s friend, they want race and racism to be “over.” They think that Black and indigenous populations should forget that we stole their land and their bodies, made ourselves rich off their goods and their labor. After all, most white people have forgotten these facts. Slavery and manifest destiny are in the past, they protest; the civil rights movement has guaranteed equality for all — it even led to a black president. Instead of listening and entering into dialogue — the true beginning of reconciliation — they square up in the kitchen and declare racism “an excuse.”
A white blossom, purpled
at the edges like penance,
lies under an unbloomed tree.
“WORKING SHOULDER to shoulder, after sharing our struggles and tears, is forging a powerful bond,” said the woman laboring at my side. “Death once swept our land, but life has its own momentum.” When the fieldwork was done, we built a stable for Theresie, who had shared her hut with a cow. The young people helped, hauling poles and erecting the walls and roof.
IN HIS ESSAY “The Land Ethic,” environmentalist Aldo Leopold tells a story from The Odyssey in which Odysseus, upon returning to Troy, hangs a dozen slave girls for misbehaving in his absence. The act, Leopold writes, was not one of ethics but of property: “The ethical structure of that day ... had not yet been extended to human chattels.” Leopold uses this as an example of how our ethical structure has expanded over history. This expansion of the moral circle is a common thread in history, encompassing, slowly, people and things that were once outside moral consideration.
Biased is for every person who claims to not see color. As someone who navigates that phrase regularly in my professional anti-racism work, I was thrilled to read a book that swiftly debunks that statement—with data to back it.
Jennifer Eberhardt thoroughly outlines how racial bias is unavoidable in a society that historically institutionalized white supremacy, and she incorporates case studies, personal experiences, surveys, scientific research, and numerical data to prove it. She walks us through examples of various settings and institutions where this bias presents itself: policing, incarceration, socioeconomic status, schooling, housing, employment, customer service, personal interactions. All confirming that racial bias is, in fact, everywhere.
From Cloud Atlas, “perhaps the most underrated film of the decade.”
WHEN I STARTED writing this column a decade ago, the Oscars were about to address The Dark Knight not being nominated for Best Picture by expanding from five to 10 possible nominees. Only two Marvel Universe movies had been released, iPads didn’t exist, movies were still mostly shot on film, and #MeToo wasn’t known outside activist circles.
Today, as I write my final regular column for the magazine, the expanded nominations system has delivered one of the least plausible Best Picture awards in memory (Green Book), 22 Marvel movies have been released, people make films on iPads, watching cinema on a phone is second nature, and a new era of respect and accountability is dawning in the entertainment industry and elsewhere.
Solange, whose new album ‘When I Get Home’ was released March 1.
Inextinguishable Spirit
“Black faith still can’t be washed away” Solange sings in her album When I Get Home. The ambient work pays homage to her Houston roots while exploring themes of blackness and spirituality. Synth, syncopated drums, smooth vocals, and experimental time signatures form a liberating fusion of sound. Saint Records/Columbia
TO UNDERSTAND THE TRUMP PHENOMENON, which is at least in large part about race, I decided to read. Instead of reading more white people wrestling with what has gone wrong with white people, I, a white man, focused on African-American sources, mainly novels.
This move was first suggested to me by womanist ethicist Katie Cannon, who read the novelist Zora Neale Hurston as a primary source. I, too, began with Hurston, and then couldn’t stop. For two years, I have been reading classic novels by African-American authors, seeking an answer to these questions: How do black characters experience white people? How do they describe white Christian people’s morality and religion? The answers are clear—and devastating.