Arts & Culture

We wander round searching for demons
and making them of each other
when we find none. Out of feigned necessity,
the slightest difference becomes a reason
to tame—to vanquish—to stamp out until
we look up and catch sight of ourselves:

WE ARE LIVING in shouty times. The pandemic has raised the decibels of public debate, as we bellow and bark at each other across social media. And while we initially may have imagined that the coronavirus would bring us together—and in some ways it has—in many ways our civic life has only become more fractured and fragile. The murder of George Floyd last year unleashed a well of public grief and a wave of protests that revealed a widening political divide in the U.S., as did the Jan. 6 riot at the U.S. Capitol. And now vitriol over vaccines from an anti-science contingent threatens the hope of achieving herd immunity.

Perhaps, amid all this noise and tumult, the quiet biblical Book of Ruth has something powerful and profound to say, some reassuring balm and redemptive truth to offer our polarized world. Indeed, in the skilled hands of gifted poet Pádraig Ó Tuama and the late theologian Glenn Jordan, it is made new for our times. In Borders and Belonging, these two Irish men orbit the ancient narrative of a Moabite woman and her Jewish family, asking how “this apparently simple book situates itself at the very places where the tectonic plates of conflicted communities threaten to crack and split apart whole nations and societies.” With an eye to how Brexit-related tensions in Ireland threaten to reignite old conflicts and destroy a delicate peace, and as white nationalism gives rise to horrors in the U.S., Ó Tuama and Jordan explore the Book of Ruth’s extraordinary capacity to move us toward a different way of being in relation to one another, suggesting that “it offers us a way towards the healing of our fractures and the building of new and healthy relationships in the aftermath of trauma.”

‘I Finally See’

Prerelease tracks “Church Girl” and “Safe Passage” pave the way for British singer-songwriter Laura Mvula’s forthcoming album Pink Noise. The former gospel choir member brings introspection and the ’80s sounds of her youth to her third record, perfect for dancing. Atlantic Records.

A Common Thread

Muslim American Writers at Home: Stories, Essays and Poems of Identity, Diversity and Belonging gathers a range of Muslim identity and experience in the U.S. and Canada. Authors in the anthology share dreams and memories, shatter stereotypes, and speak to one another. Freedom Voices.

ON HIS DEBUT record, Palisade, released in 2012, Americana wunderkind Parker Millsap ends the title track singing with blues-soaked vocals, “Writing on a blank white page keeps my demons one more day away.” For Millsap, an Oklahoma native who now calls Nashville home, those lyrics weren’t just a young artist trying to sound profound; they spoke truth to his experience with music and faith.

“When I’m playing [music] with other people and for other people, there is something about it that will always feel spiritual to me,” says Millsap. “After all, that spiritual feeling, that’s the context I first received music in.”

Millsap grew up in a Pentecostal church in a small Oklahoma town, and says if people were going to speak in tongues or run around the sanctuary, it was almost always during the music. “I always resonated with using music to reach ecstatic states,” he says. “As soon as I could play enough chords to keep up, they put me down in front at church.”

Historically, people love to opine on power. Whether it’s John Dalberg-Acton’s “Power tends to corrupt, and absolute power corrupts absolutely,” or Kanye West’s “No one man should have all that power,” the concept of concentrated power is taught as something to fear.

Director Anthony Mandler's movie Monster, focuses in on a myriad of social issues — race, class, mass incarceration, crime, and the U.S. penal system — but it also is a monster movie of sorts.

UNTIL RECENTLY, I had a boss who kept CNN on all day in her office. I work in communications, so this made sense, but it made me wonder: How can we best consume the news? Does the news make us anxious and divide us? Or does it serve as a way to learn about the world and how we can better love and serve our neighbors? Though the evidence is mixed (we rarely have simple answers in life), Jeffrey Bilbro’s verdict on news consumption in Reading the Times is mostly negative.

Bilbro’s analysis suggests that modern media—understood broadly to include everything from newspapers to social media—divides our attention among trivia, binds us to the daily rather than allowing attention to the eternal, and diverts us from local, embodied concerns to national ones outside our scope of influence. His argument ranges broadly, integrating thinkers from Thoreau and Auerbach to the more modern Wendell Berry and Charles Taylor. The reader feels like they are in a college classroom, in a good way, with a professor who isn’t afraid to synthesize broadly to make their point.

ON A MISSISSIPPI plantation known as “Empty,” two young enslaved people work and live in the barn, tending to the animals and each other. Despite opposing personalities, Isaiah and Samuel fit together: Where Isaiah is soft and accommodating, Samuel is hard and unyielding. As Samuel actively fights the system that seeks to bend him, Isaiah bends to survive, even as he mourns the name that was stolen from him. While Empty constantly seeks to erase their humanity, these young men find a quiet peace in their love, which touches the community around them.

In The Prophets, Robert Jones Jr. richly renders the perspectives of the enslaved and their enslavers, allowing for a complexity that a story with a single point of view would miss. The novel contains multitudes, among them a love story, an epic, an origin story, and a spiritual journey. This formidable debut weaves the ancestral past with the characters’ present to illuminate histories, realities, and possibilities that are just beyond reach. In his testament to Black queer love and storytelling, Jones confronts questions of gender, power, and consent in the wake of the transatlantic slave trade.

As the owner of Empty, Paul’s priority is to breed more slaves, and Isaiah and Samuel’s union poses a threat to these goals. In his own attempt at survival, the slave Amos proposes a solution: In exchange for “being learned in the ways of Christ, which meant being learned in ways forbidden by law,” he would preach to his fellow slaves and instill that “docility was treasured over rebellion.” For Amos, a glimpse of freedom means access to doors that have been closed to him. But for Amos to succeed, Samuel and Isaiah must give up their ability to choose who they can love.

MY BELOVED ADOPTED state of Kentucky doesn’t rank number one in many things. In most measures of health, wealth, or education, we rank somewhere in the mid-40s. However, Louisville’s Courier-Journal recently unearthed a statistic in which Kentucky totally wrecked the curve—number of people per capita arrested for their actions during the Jan. 6 attack at the U.S. Capitol.

As of this writing, Kentucky’s number of apprehended insurrectionists equals that of neighboring Ohio, a state with almost three times our population.

I doubt that surprises many readers, but there’s another side to the Kentucky story that might: There are important voices in the state denouncing the riot—members of the African American community, which is mostly concentrated in our cities, but also members of our other left-out and left-behind community, the mostly white population of Appalachian eastern Kentucky. And there are even signs that some people among those two groups are reaching out to each other.